UNIVERSITÄT DER GESUNDHEIT
UNIVERSITÄT DER GESUNDHEIT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   VI
  54  
 
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC
     
         
 
Musical Depreciation


 
 
 
A natu­ral re­sult of know­ing the truth in the su­preme force-field of mu­sic – in the har­mony – is that the lis­tener makes the ex­peri­ence of the com­plete ful­fil­ment of de­sires.
Here, in the ab­so­lu­te mu­si­cal force-field be­yond space and time, we quite spon­ta­ne­ously make the natu­ral ex­peri­ence of all the ad­van­tages mu­sic may ever offer, and while we look back now, from this su­preme level of mu­si­cal knowl­edge, to the world of mu­sic which we once went through with heated dis­cus­sions be­tween feel­ing and un­der­stand­ing when we delved, start­ing from the mu­si­cal sound-space, into ever finer struc­tures of the mu­si­cal mean­ing, then the mu­si­cal world of the se­quences, the mo­tifs, and of the mu­si­cal sound-space, that had been so dear to us be­fore, is only a very lim­ited world to us.

 
The Listener Experiences Complete Fulfilment of Desires
 
 
Look­ing out into the space-time world, the mu­si­cal flow now ap­pears to us only as an inert world dragging by.
Even the se­quences appear inert to us – much more so the mo­tifs, not to speak about the tones which trundle along be­fore our men­tal eye like boulders, while the mo­tifs at least stumble, and the se­quences even try to achieve some har­mo­ni­ous flow.

 
The Musical Flow in the Space-Time World
 
 
So, in this our com­plete mu­si­cal ex­peri­ence in the ab­so­lu­te Now of the har­mony, the mu­si­cal bridg­ing of in­fi­nite spaces and times is not even the matter of a sin­gle moment, but it takes place in the in­fi­nitely con­densed span of true simultaneity.
And our lively ex­peri­ence bridges all con­ceiv­able spaces and times in the to­nal­ity of the eter­nal pre­sent moment.

 
Music Bridges Infinite Spaces and Times
 
 
This mu­si­cal ex­peri­ence of our in­fi­nite, dy­namic, unlim­ited, mani­fold, pure self-aware­ness, and the si­mul­ta­ne­ous ex­peri­ence of the languid flow of the outer world of mu­sic, un­der­standa­bly re­duce the value of all rela­tive mu­sic for us.
True and last­ing value we at­trib­ute only to the real mu­si­cal field of pure har­mony.

 
All Relative Music Diminishes in Value for the Listener
 
 
Thus, to the crea­tive mu­sic lis­tener, the outer mu­si­cal world is only a dull imitation of a very small de­tail of his ac­tual in­ner mu­si­cal wealth he ex­peri­ences in the realm of the har­mony, and now to him the outer mu­si­cal per­form­ance is of as lit­tle sig­nifi­cance as some seed of some plant in some granary is to the crea­tor of the world.

 
The Significance of the Outer Musical Performance
 
 
The crea­tive mu­sic lis­tener, there­fore, no longer wants to leave his per­fect world of the har­mony for that outer world of il­lu­sion. This is his natu­ral stand­point now.

 
The Creative Music Listener Identifies the Musical World of Illusions
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

VI.
THE SYSTEM OF
INTELLECTUAL DISCUSSION IN MUSIC

Musical Confrontation
of Feeling and
Understanding

The Nourishing Flood
of Pure Alertness in
the Harmony

The Musical Dispute

The Understanding
without the Perfect
Nourishment of Pure
Self-Awareness

The Process of
Intellectual Clarification
in Music

Feeling and
Understanding in the
World of the Harmony

The Absolute Sound-
Substance in Perfect
Function

The Musical Dispute
as the Most Free Kind
of Playful Diversity

Musical Depreciation

Structural Musical
Analysis of Values

Breaking Off the Cognitive Process in Music

Natural Structuring
of the Sound Pattern
in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition