UNIVERSITÄT DER GESUNDHEIT
UNIVERSITÄT DER GESUNDHEIT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   III
  27  
 
IMMORTAL AND MORTAL TRADITION OF MUSIC
     
         
 
The Intention
of Conveying Truth in Music


 
 
 
In his mu­si­cal work the com­poser pur­sues a clearly de­fined in­ten­tion: step by step he wants to make his lis­tener fa­mil­iar with the lib­er­at­ing world of self-aware­ness, and he achieves it by di­rect­ing the mu­si­cal flow in such a way that – start­ing from the mu­si­cal sound-space – his lis­tener is taken in steps through the motif and se­quence-spaces into the in­fi­nite space of the har­mony.

 
The Journey from the Musical Sound-Space to the Absolute Music-World of the Harmony
 
 
As the lis­tener reaches this unlim­ited mu­si­cal space of the har­mony, he ar­rives si­mul­ta­ne­ously at him­self and lo­cates the dy­namic mu­si­cal full­ness of his own self-aware­ness.

   
 
So, the pur­pose of the clas­si­cal mu­si­cal work lies in glo­ri­fy­ing self-aware­ness – the natu­ral crea­tive realm of the com­poser; and the intent of the mu­si­cal crea­tor lies in in­tro­duc­ing the lis­tener to the ex­peri­ence of pure self-aware­ness. To achieve this he em­ploys the means of mu­sic.

 
Introducing the Listener to Pure Self-Awareness
 
 
Un­per­turbed the mu­si­cal crea­tor pur­sues this goal.
He guides the lis­tener through the beauty of the world and brings him closer to that har­mony by which the world is or­gan­ized from its ori­gin.

 
Cognition of the Original Order of the World
 
 
This in­ten­tion is quite un­der­stand­able – par­ticu­larly at a time when, as a re­sult of hu­man misbe­hav­iour, the en­vi­ron­ment ap­pears hos­tile here and there, and the re­al­ity of life, origi­nally har­mo­ni­ously de­signed, ap­pears dis­torted to those who do not un­der­stand the rea­sona­bly or­gan­ized re­la­tion­ship be­tween cause and ef­fect.

   
 
Owing to this dis­torted pic­ture of na­ture, which ac­tu­ally func­tions fully in sup­port of life, man quarrels with his fate.
And ei­ther he stands against na­ture, or he thinks he should and could outwit this al­mighty force by means of tech­ni­cal de­vices – so-called “achieve­ments.”

 
Man Challenging Fate
 
 
The clas­si­cal com­poser edu­cates the mu­sic lis­tener as to the sense­lessness of such il­lu­sion – on which, af­ter all, the en­tire tech­ni­cal civi­li­za­tion with all its hu­man in­com­pe­tence is based – and shows him prac­ti­cal means and pass­able ways of plac­ing him­self and his ac­tion into har­mony with na­ture al­mighty.

 
Harmonizing Function of Music
 
 
Mu­si­cally-tech­ni­cally, this edu­ca­tional proc­ess starts from the un­fold­ment of the motif, con­tin­ues into the se­quence-space, and finds its con­clu­sion in the space of the har­mony.
On the level of the har­mony the lis­tener is permeated by the val­ues of the ab­so­lu­te sound-sub­stance, and he ex­peri­ences his per­sonal life to­tally in tune with the om­nipo­tent laws of na­ture; in­deed, he even real­izes that in his crea­tive act – which re­sults logi­cally from the mu­si­cal proc­ess of cog­ni­tion – he is the le­giti­mate ruler over na­ture.

 
Experiencing Harmony with the Almighty Laws of Nature
 
 
And from this new stand­point within his self-knowl­edge, he even re­gards na­ture as his in­ti­mate com­pan­ion on his way, who is very natu­rally in­clined to­wards his de­sires and ful­fils them.

   
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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UNIVERSAL
MUSIC THEORY 2

III.
IMMORTAL AND MORTAL
TRADITION OF MUSIC

The Measure of Musical Perfection

The Freedom of the
Musical Meaning

Doubt in the Process
of Finding Musical Truth

Producing Heat and
Cold in Music

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The Intention of
Conveying Truth in Music

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition