UNIVERSITÄT DER GESUNDHEIT
UNIVERSITÄT DER GESUNDHEIT
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO THE UNIVERSITY
. . .Deutsche Übersetzung in Arbeit
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PART   II
  17  
 
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION
     
         
 
The Technique of Musical Comparison


 
 
 
Com­pari­son is an­other means to gain knowl­edge of mu­si­cal truth. Thus, the mu­si­cal logic stimu­lates our in­ner tools of cog­ni­tion to com­pare.

   
 
Music-Analysis and Music-Synthesis


 
 
 
The tech­nique of com­pari­son is based on the dual func­tion of our in­tel­lect which we pre­vi­ously de­scribed as be­ing on the one hand:
  1. our in­tel­lect in its func­tion of un­der­stand­ing, where our un­der­stand­ing, with its ana­lyti­cal means, ex­am­ines the mu­sic for more and more com­pre­hen­sive truth; and on the other hand
  2. our in­tel­lect in its func­tion of feel­ing, where our feel­ing ex­pands crea­tively to­wards the mul­ti­plic­ity of our un­der­stand­ing and, in this proc­ess, car­ries the natu­ral di­ver­sity of our in­ner, mu­si­cal, crea­tive proc­ess into our un­der­stand­ing.

 
The Dual Function of the Intellect in the Musical Cognition of Truth
 
 
At the same time, these two proc­esses of mu­si­cal cog­ni­tion, outer cog­ni­tion of the mu­sic lis­tener and in­ner cog­ni­tion of the com­poser, are sub­mit­ted to a com­pari­son by our self-aware­ness.

 
Music-Creating and Music-Listening in Comparison
 
 
Thus, our in­tel­lect, our feel­ing and un­der­stand­ing, are in­te­grated to­wards the level of pure self-aware­ness and are thereby raised mu­si­cally into the field of the har­mony; for only in this ab­so­lu­te mu­si­cal force-field of the har­mony our tools of cog­ni­tion can make a per­fect com­pari­son be­tween the unity and the di­ver­sity of mu­sic.

   
 
This com­pari­son be­tween the mu­si­cal in­sights of our feel­ing and of our un­der­stand­ing puts our in­tel­lect, and therewith our mu­si­cal proc­ess of know­ing, into the state of a self-suf­fi­cient ei­gen­func­tion.
And in terms of this two­fold mu­si­cal cog­ni­tion of truth, our in­tel­lect swings within it­self.

 
The Eigenfunction of Gaining Knowledge in Music
 
     
     
       
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
     
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

II.
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION

Empirical Gaining
Knowledge in Music

The Unlimited Course
of Life in Music

The Levels of Gaining
Knowledge in Music

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The System of Musical Deduction

The Technique of
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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition